Showing posts with label collaberation. Show all posts
Showing posts with label collaberation. Show all posts

Monday, 18 March 2013

Working in a Collaberation

Collaboration is working with each other to do a task. It is a recursive process where two or more people or organizations work together to realize shared goals.

When I embarked on the collaboration for the "Synchronise" exhibition I needed to ask myself what I could put into the mixing pot and what I hoped to get out of it.

The decision to work with two people as opposed to one was the easiest decision.  I had already worked on a collaboration with one person, so I understood the process, so working with an additional person would just change the dynamics slightly.  Of course each collaboration is going to be different but I do feel the same route to a successful collaboration will apply.

Sharyn Dunn, Me and Samantha Robinson hold a Skype call


1.  Sharing your ideas, your outlook and the way you work as designer-makers. By sharing ideas, you all become part of the design process and initial ideas will blossom into realized dreams.

2.  Respect: Learn to give and receive respect from those you choose to work with.  Understand and try to accept each others strengths and weaknesses and use this to your advantage.  Doing this will enable you to have an effective team working towards a common goal and a strong and success outcome.
 
3.  Communication:   It goes without saying that you will need to form effective communication with your collaborators.  Listening carefully, and voicing your views will ensure you gradually move forward to a conclusion.  I found with my current collaboration we didn't always speak up and in consequence precious time was wasted, but this is something I have learnt and be aware of next time I collaberate. I guess what I'm trying to say is we don't like conflict.  Unfortunately, sometimes we need to bite the bullet and air our views in order to move forward effectively and smoothly.  Our meetings were held at our studios but sometimes due to weather constraints we did video calls.  We all found this a bit difficult.  Being creatives, we tend to be tactile, so viewing work on the screen was quite frustrating.

 4. The Journey: Enjoy the journey.  Experience the ups and downs, twists and turns and relish the conclusion.  During your time working together you will learn so much which you will be able to move into your own creative practice without realizing it has happened.  One of the things I came away with was I need to leave myself more room to enjoy initial ideas before I move on to the design process.  Give myself time to play and explore a little longer.  I have also discovered how much I enjoyed working larger scale; the challenge, the complexities and the final visual piece.  Something I envisage doing in a solo capacity in the future.   

Monday, 25 February 2013

Finally, back into the swing of things

It isn't until you become ill that you realise how hard being self-employed can be.  If you don't do the normal everyday admin chores, you don't get paid.  There seems to be a lot of flu or nasty viruses that are currently doing the rounds, fortunately they seem to be missing children which I'm makes a change.

It's took me nearly 2 weeks to get over the virus I contracted, then another week to get back to full strength.  Constantly feeling exhausted and no enthusiasm for creativity is not something that I am familiar with. This has been a difficult time for me as I haven't been able to fulfil deadlines, make applications or make work.  Included amongst these deadlines is a collaboration I am currently working on with two other Designer/Makers for an upcoming exhibition at the National Centre for Craft and Design in Sleaford entitled "Synchronise".

Today, I have been trying to catch up with some administration, a solid 2 hours.  Time flew by and I didn't seem to make a dent.  Them to get myself back into a creative mode I did a little research.  Following on from a simple flower I created for the recent Festival at Words in Nottingham I wanted to continue to explore the notion of erosion of the mind that is often the result of a stroke.

So for about half an hour, I've been looking at jewellery that incorporates seaglass.  I feel the seaglass symbolises erosion from clarity to erasure. I didn't realise that seaglass came in so many colours click on the link, I was surprised Rarity of Seaglass Colours I looked at various ways in which the glass can be encapsulated with wire, crochet and even tatting; all produce stunning results.  The hardest part is to design something that is contemporary, feminine and quite delicate to look at.  My husband worked down in Devon for a couple of seasons many years ago, so I have a good supply of seaglass, but not sure of the sizes. Note to self - dig out seaglass and start sketching and jotting down initial designs.


For the rest of the day I spent folding and machining, not necessarily in that order to move my piece nearer to the "Synchronise" deadline which is 6th March.  Another 250 squares to fold tonight.